Engelska

Celebrating 50 years of Iron Maiden, this magnificent visual book, incorporating commentary by band members past and present, and never-before-seen photography from the Iron Maiden archives, chronicles the evolution of heavy metal's most prestigious band.<br/><br/> Iron Maiden is an institution. Hailed as pioneers of a new wave of British heavy metal in the 80s, the band has come to embody a spirit of fearless creative independence and ferocious dedication to their fans that has won them a huge following around the world and across the generations.<br/><br/> <b>Iron Maiden: Infinite Dreams</b> traces the creative evolution of heavy metal's most influential and enthralling band, from 1975 to 2025.<br/><br/> Presenting iconic album and single artworks, photographs of the band's instruments past and present, stage props, hand-written lyrics and artefacts from the archive and the band's personal collections, as well as landmark photographs by Ross Halfin and John McMurtrie, <b>Iron Maiden: Infinite Dreams</b> is rife with revelatory stories and intriguing insights from pivotal band members and management.<br/><br/> It is bookended by a foreword from band founder Steve Harris and an afterword by vocalist Bruce Dickinson.<br/><br/> <b>Iron Maiden: Infinite Dreams</b> is the definitive legacy volume, celebrating the band's creativity, dedication, personality and success.

<b>In this poignant, funny, and illuminating essay collection from the hosts of the <i>Podcrushed </i>podcast, Penn Badgley, Sophie Ansari, and Nava Kavelin tackle stories from adolescence and beyond, exploring what it means to come of age at every stage of our lives.</b><br/><br/>In their debut essay collection, Penn Badgley, Sophie Ansari, and Nava Kavelin flip the script on their hit <i>Podcrushed </i>podcast--which features guests' stories about their formative teenage experiences--to share their own stories of heartbreak, anxiety, and self-discovery for the first time.<br/><br/>From first crushes to first jealousies, from dreams realized to dreams deferred, <i>Crushmore </i>dives into the simultaneous awkwardness and joy of growing up. With humour, compassion, and insight, Penn, Sophie, and Nava unravel the ups and downs of their own coming of age, and highlight how we can find healing--and even inspiration--from our awkward adolescent selves long after we thought we left them behind.

<b>Here is the definitive edition of Seamus Heaney's poetry, with illuminating critical notes, including uncollected poems and a selection of previously unseen material.</b><br/><br/>This is the long-awaited, definitive edition of Seamus Heaney's poetry. It encompasses all the poems Heaney published in his lifetime as well as the small number that appeared after his death: twelve single volumes, from <i>Death of a Naturalist </i>(1966) to <i>Human Chain</i> (2010), and those poems published in pamphlets, journals and magazines or with limited circulation. In addition, the book includes a small selection of previously unseen material.<br/><br/>It is a body of work that, in its entirety, resounds with the 'lyrical beauty and ethical depth' cited by the Nobel committee: poems 'which exalt everyday miracles and the living past.'<br/><br/>Critical introductions to each collection and notes that illuminate the history and development of the poems make this the essential volume for admirers of the work.<br/><br/>'Heaney's voice, by turns mythological and journalistic, rural and sophisticated, reminiscent and impatient, stern and yielding, curt and expansive, is one of a suppleness almost equal to consciousness itself.' Helen Vendler<br/><br/>'More than any other poet since Wordsworth he can make us understand that the outside world is not outside, but what we are made of.' John Carey<br/><br/>'His is "closeup" poetry - close up to thought, to the world, to the emotions. Few writers at work today, in verse or fiction, can give the sense of rich, fecund, lived life that Heaney does.' John Banville<br/><br/>'These poems find - in the dowser's gift and the child's perception of the world - images of the marvellous that are also wonderfully grounded. . . Heaney is a poet who deserves to be read in entirety.' Jamie McKendrick<br/><br/>'For Heaney, there were marvels enough in this world, and never mind the next. Ordinary objects and places - a sofa, a wireless, a satchel, a gust of wind, the sound of rain - were sanctified.' Blake Morrison

The new poetry collection by Poet Laureate Simon Armitage.

The worlds of pop and rock owe a much greater debt to the classical canon than we realise. A direct and fascinating lineage draws from the experimentalism of Pierre Henry to The Beatles' 'Tomorrow Never Knows', from Stockhausen to Donna Summer's 'I Feel Love' and from Bruckner to Sonic Youth via Glenn Branca. In <i>Everything We Do is Music</i>, Elizabeth Alker highlights the innovators of classical music and their fans and collaborators in pop who challenged the notion that such musical worlds were mutually exclusive. Alker shines a light on the rich tapestry that exists between their borders through exclusive interviews with Sir Paul McCartney, Steve Reich, La Monte Young, Nils Frahm, The Blessed Madonna, Jonny Greenwood, Soweto Kinch and Jean-Michel Jarre among others.

<i>Zombies want brains. Vampires want blood. Cannibals want human flesh. </i>All<i> monsters need feeding.</i><br/><br/>Horror has been embraced by mainstream pop culture more than ever before, with horror characters and aesthetics infecting TV, music videos and even TikTok trends. Yet even with the commercial and critical success of <i>The Babadook, Hereditary, Get Out, The Haunting of Hill House, Yellowjackets</i> and countless other horror films and TV series over the last few years, loving the genre still prompts the question: <i>what's wrong with you?</i> Implying, of course, that there is something <i>not quite right</i> about the people who make and consume it. In <i>Feeding the Monster</i>, Anna Bogutskaya dispels this notion once and for all by examining how horror responds to and fuels our feelings of fear, anxiety, pain, hunger and power.

<b>A Rough Trade and <i>Clash </i>Book of the Year</b><br/><br/><b>'E</b><b>xcellent, detailed [. . .] Hip-hop writer SH Fernando Jr benefits from an insider's understanding of the milieu and provides generous context.' Kitty Empire, <i>Observer</i></b><br/><br/>On December 31, 2020, the world was shocked to learn about the death of hip-hop legend MF DOOM. Born in London and raised in the suburban enclave of Long Beach, New York, Daniel Dumile Jr.'s love of cartoons and comic books would soon turn him into one of hip-hop's most enigmatic, prolific, and influential figures.<br/><br/><i>The Chronicles of DOOM: Unraveling Rap's Masked Iconoclast</i> recounts the rise, fall, redemption, and untimely demise of MF DOOM. Broken down into five sections: The Man, The Myth, The Mask, The Music, and The Legend, journalist S. H. Fernando chronicles the life of Daniel Dumile Jr., beginning in the house he grew up in in Long Beach, NY, through to the mysterious, masked icon that he was to become. Centring the music, Fernando deftly lays out the history of east-coast rap against DOOM's life story and dissects the personas, projects, tracks, and lyrics that led to his immortality.<br/><br/>Including exclusive interviews with those who worked closely with him, the book provides an unknown, intimate, behind the scenes look into the life of MF DOOM, a supervillain on stage and hero to those who paid attention.